NAICS Code 512290-01 - Music-Background & Foreground

Marketing Level - NAICS 8-Digit

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  • Company Name
  • Contact Name (where available)
  • Job Title (where available)
  • Full Business & Mailing Address
  • Business Phone Number
  • Industry Codes (Primary and Secondary SIC & NAICS Codes)
  • Sales Volume
  • Employee Count
  • Website (where available)
  • Years in Business
  • Location Type (HQ, Branch, Subsidiary)
  • Modeled Credit Rating
  • Public / Private Status
  • Latitude / Longitude
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Looking for more companies? See NAICS 512290 - Other Sound Recording Industries - 683 companies, 8,918 emails.

NAICS Code 512290-01 Description (8-Digit)

The Music-Background & Foreground industry involves the production and distribution of music for various purposes such as background music for films, TV shows, commercials, and video games, as well as foreground music for concerts, events, and performances. This industry includes the creation of original music as well as the licensing and distribution of existing music.

Parent Code - Official US Census

Official 6‑digit NAICS codes serve as the parent classification used for government registrations and documentation. The marketing-level 8‑digit codes act as child extensions of these official classifications, providing refined segmentation for more precise targeting and detailed niche insights. Related industries are listed under the parent code, offering a broader context of the industry environment. For further details on the official classification for this industry, please visit the U.S. Census Bureau NAICS Code 512290 page

Tools

Tools commonly used in the Music-Background & Foreground industry for day-to-day tasks and operations.

  • Digital Audio Workstations (DAWs) such as Pro Tools, Logic Pro, and Ableton Live
  • Virtual Instruments and Sample Libraries such as Kontakt, Omnisphere, and EastWest
  • MIDI Controllers such as keyboards, drum pads, and control surfaces
  • Audio Interfaces for recording and playback such as Focusrite Scarlett and Universal Audio Apollo
  • Microphones for recording such as Shure SM7B and Neumann U87
  • Studio Monitors for accurate playback such as Yamaha HS8 and KRK Rokit
  • Audio Plugins for processing and effects such as Waves, FabFilter, and Soundtoys
  • Synthesizers for creating electronic sounds such as Moog and Roland
  • Drum Machines for creating beats such as Akai MPC and Elektron Analog Rytm
  • DJ Equipment for live performances such as Pioneer CDJs and DJM mixers

Industry Examples of Music-Background & Foreground

Common products and services typical of NAICS Code 512290-01, illustrating the main business activities and contributions to the market.

  • Film Score Composition
  • Video Game Sound Design
  • Commercial Jingle Production
  • Concert Sound Engineering
  • Music Licensing and Distribution
  • Music Supervision for Film and TV
  • Live Event Production
  • Music Publishing
  • Soundtrack Production for TV Shows
  • Foley and Sound Effects Creation

History

A concise historical narrative of NAICS Code 512290-01 covering global milestones and recent developments within the United States.

  • The "Music-Background & Foreground" industry has a rich history dating back to the early 20th century. In the 1920s, the first sound recordings were made, and the industry began to grow rapidly. The introduction of radio in the 1930s and television in the 1950s further expanded the industry's reach. In the 1960s and 1970s, the rise of rock and roll and the emergence of new technologies such as the cassette tape and compact disc revolutionized the industry. In recent years, the industry has continued to evolve with the advent of digital music and streaming services. In the United States, the "Music-Background & Foreground" industry has a long and storied history. In the 1950s and 1960s, the rise of rock and roll and the Motown sound helped to establish the United States as a global leader in the music industry. In the 1980s and 1990s, the emergence of hip-hop and rap music further expanded the industry's reach. In recent years, the industry has faced challenges due to the rise of digital music and streaming services, but it continues to be a vital part of the American cultural landscape.